Though once abundant along the shores of the Ohio River, shantyboats are no longer a common sight. These small, crude houseboats were often built and lived in by itinerant workers, miners, dockworkers, and displaced agricultural workers during the late 19th century and into the 1940s, but largely disappeared from river life after the 1970s. So when artists Wes Modes and Adrian âAgeâ Nankivell (and their ship hound, Hazel) pulled up to the Marietta Harbor last week in a rustic shantyboat named Dotty, many local residents witnessed this piece of American history for the first time.
Dotty is more than just a recreated mid-century houseboat (which Wes describes as âmore house-y than boat-yâ due to her height). Named for Wesâ grandmother, Dotty is a vessel for collecting and archiving personal stories of people who have a relationship with the river. This ongoing multimedia study in art, culture and social ecology goes by the name A Secret History of the American River People and is directed by Wes, with assistance from fellow artists and shipmates, like Age.
A school teacher nine months out of the year in his hometown of Santa Cruz, CA, Wes has spent the last six summers floating down American rivers, interviewing folks along the way in an attempt to preserve the currently endangered history of people who have long lived on and adjacent to the river.
Thereâs not much about your grandpa, your family, or people who have struggled.
âThe history of shantyboats is the history of poor people, and that history isnât written on the landscape,â says Wes. âEven in Marietta, which is very aware of its own history and wants to capture something other than just conventional history, the history written on the landscape is largely that of nation-states, conflicts between them, and great, white, dead men. Thereâs not much about your grandpa, your family, or people who have struggled.â
And if the hidden history of our poorer people is hard to find, he says, then the history of native people and people of color is even harder to find.
âIâm always interested in digging deeper to find this hidden history of working class people, or poor people, or people of color because it isnât written on the landscape. Thatâs why itâs important. Itâs important because itâs untold, and if itâs untold, then we canât draw important lessons from it,â he says. âWe canât talk about current alternatives to how we live our lives if we donât know that there ever were alternatives in the past.â
Through A Secret History of American River People, Wes examines the emerging crises facing current river communities dealing with issues such as gentrification, economic displacement, environmental degradation, and the effects of global climate change. He asks questions such as, âHow do rivers connect us?â âAre rivers part of the public commons?â and âWhose stories get told?â
The journey didnât initially begin with these questions, though. âI might have gone ass-in backward,â Wes admits. âI really like boats, and I really like homemade boats.â After building and floating homemade rafts for a few years, he wanted to build something a little more permanent. âI started thinking about what I was going to do with the boat. I was really interested in floating down rivers, which I had done on the homemade rafts, but I didnât want to just be a tourist. I started thinking about what gift I could give back and what I could offer the people with whom we interact.â
I had been on rivers where there was no river culture, so I was curious â does river culture still exist?
And thus, A Secret History of American River People was born. âI had been on rivers where there was no river culture, so I was curious â does river culture still exist?â His thesis was an open-ended one. To his surprise, yes. Quite a bit, actually.
At the same time, he found that rivers often tend to be contested spaces. âThereâs tension between money and tradition, money and preservation, between how people want to use the river. It manifests in different ways, including gentrification and urban redevelopment,â he says. Wes and his shipmates only see a snapshot in time for each place they visit, but in those snapshots, theyâve recognized a few patterns.
âWeâve seen towns where before the 1970s when the rivers were literally open sewers and polluted with chemical and organic waste, there wasnât a desire to have a place down at the river. So prior to that, people who didnât have much money, poor immigrants, people of color, people who would otherwise be homeless, had squats or shantys or shantyboats down on the river.â After the rivers were cleaned up though, people wanted to be down on the river. People with money began moving in and displacing those populations. âAnd then with urban renewal, many of those poorer neighborhoods and industrial neighborhoods were replaced with freeways. So there are a lot of towns that weâve visited where the whole frontage to the river was a freeway, cutting the town off from the river,â says Wes.
Wes believes the most important function the river provides is more of a spiritual connection; It provides more than its economic benefits or its tourism potential.
âItâs more of an identifier for the people in the town to site themselves in the world. Marietta is at the confluence of the Ohio and Muskingum Rivers, and thereâs no other town that can say that. I think that thereâs nobody here who doesnât know that, who isnât keenly aware of that, who hasnât been to a play in the park on the river, who hasnât seen the sternwheel boats, or who hasnât been affected by flooding. It serves a purpose thatâs hard to commodify.â
Itâs hard to put a number on how people feel about a place because they have a river they rely on as their sense of place.
And maybe itâs better that way, he says. âYou can commodify tourism dollars or industry. But itâs hard to put a number on how people feel about a place because they have a river they rely on as their sense of place.â
Wes and Age stopped in Marietta for four days, arriving on July 3rd and departing on the 6th, having set out from Pittsburgh ten days prior. Thanks in part to quick coordination with local organizations, they hosted an exhibit during Marietta Main Streetâs First Friday event on July 5th. Wes says hundreds of visitors stopped by to see the shantyboat and share their stories.
Bobby Rosenstock, who helped sponsor Fridayâs exhibit, says he appreciates what Wes and Age are doing through A Secret History of American River People. âIn the spirit of a grass-roots Anthony Bourdain show, Wes and Adrian are able to have real conversations with folks from small town America. Theyâre not just showing up and putting a microphone in their face,â he says. âThey are putting in the work of floating down the river. It makes people curious and garners a sense of respect from folks that live along the river, which results in them opening up and sharing their stories.â
The way Wes and Age are collecting these stories through an art project and an adventure, it makes it more than just another essay.
Like Wes, Bobby believes collecting these stories are important because they come from people who are often overlooked. âThese stories tell the history of our country and show some of the struggles we are currently facing. The way Wes and Age are collecting these stories through an art project and an adventure, it makes it more than just another essay â it has an aesthetic value to it and shares the explorersâ stories as well, offering a rare glimpse of what is happening in small towns along the Ohio River.â
Age, a native New Zealander who first met Wes at Burning Man twenty years ago, is serving as a shipmate for the second time, first joining Wes for his voyage along the Tennessee River a few years ago. âYou get to see a side of America that no normal tourist or visitor would see, you get some pretty amazing insight and get to meet some very interesting people.â
Wes was excited for this trip down the Ohio River, which wraps up in Louisville, KY in August where he has an exhibition running. After six summers on the river, heâll be taking a sabbatical next year to write a book or two and work on his documentary. After that? âNext will be a circumnavigation of the UK canals and at some point, an exploration of the Atchafalaya River, which run parallel to the Mississippi in Louisiana through Cajun country, to New Orleans.â
What began as a budding interest in boats and a way to escape an uninspiring job on the weekends has blossomed into a meaningful project that still excites Wes and his shipmates. Each river introduces them to new regions, communities, and people whose stories add to the rich narrative of river people.
âAt first, I didnât know if anyone cares about any rivers anywhere. But people really do care about their rivers. Iâve come to realize that in all of our towns, everywhere there are river people.â
To follow along with Wes and Age on the rest of their journey, follow their Facebook and Instagram account, and visit their website where they regularly add updates, photos, videos and more. You can also make a contribution to support A Secret History of American River People through their website.